行の行台子 Gyo no Gyo daisu

8月30日から3日間開催の日本祭に向けての稽古で、なかなか奥伝のお稽古が出来ていなかったのですが、時間の取れる日を調整して上級以上の方に行の行台子風炉点前のお稽古をしました。
お菓子は5種を縁高に盛ります。
行台子の地板には風炉、火箸・差通し柄杓を入れた杓立、塗蓋の水指を置き、天板には黒棗を中央に飾っておきます。
【準備】
1.八卦盆の中央に唐物茶入れを載せ台子前へ進み、黒棗を外し盆の左側に置き持ち出した八卦盆を天板の上へ。
 黒棗を持ってさがる。
2.茶巾・元節茶杓・茶筅を仕込んだ天目茶碗を天目台に載せ台子前へ進み盆の上の茶入れを東(震の卦)に置き、茶杓を東南(風)に、茶巾を南(火)へ置き茶筅を茶巾に斜めに載せる。台天目は西(沢)の位置に置く。
この置き方を見ても、天の怒りを鎮めるようなお祓いの儀式を感じます。
お点前が始まると亭主は台子前で膝行して進み、帰るときは膝退をしますが、これも杓立にさしてある柄杓の位置に神が宿るとされているところから頭を低くし神を崇める意味があるのだそうです。
奥伝をお稽古するときは厳粛な気持ちになります。
 

As we prepare for the Japanese Festival, which will be held over three days starting from August 30, we had not had many opportunities to practice okuden (advanced-level) temae. However, by adjusting our schedules, we were able to practice the Gyō no Gyō daisu Furo-demae for students of advanced level and above.

Five types of sweets were arranged and served in a Fuchi-daka (tiered lacquered container).

On the lower board (jiita) of the gyōdaisu (semi-formal utensil stand), the furo (portable brazier), a shakutate (ladle stand) holding the hibashi (metal chopsticks for handling charcoal) and sashidōshi hishaku (a special ladle), and a mizusashi (fresh water container) with a lacquered lid were placed.
On the upper board (tenban), a black natsume was arranged in the center.


preparation

  1. Place the karamono chaire (Chinese-style thick tea container) in the center of the Hakke-bon (octagonal tray), proceed to the front of the daisu, remove the black natsume, place it on the left side of the tray, and then set the Hakke-bon (now holding only the chaire) onto the upper board.
    Withdraw while carrying the natsume.

  2. Place the tenmoku chawan (conical tea bowl) prepared with chakin , motobushi chashaku (tea scoop with a end node), and chasen on the tenmoku-dai (bowl stand).
    Bring it to the front of the stand, and place the chaire on the east side (corresponding to the “Zhen” trigram), the chashaku to the southeast (Wind), the chakin to the south (Fire), and lay the chasen on the chakin. The tenmoku-dai is placed in the west (Lake) position.

Even just observing this placement conveys the sense of a purification ritual meant to calm the anger of the heavens.

When the temae begins, the teishu (host) proceeds to the front of the stand using shikkō (kneeling forward), and when withdrawing, performs shittai (kneeling retreat).
This is said to be rooted in the belief that a deity resides around the ladle placed in the shakutate, and thus lowering one’s head is a gesture of reverence to that divine presence.

Practicing okuden  always instills a sense of solemnity and reverence.